{"id":159,"date":"2004-03-31T10:11:08","date_gmt":"2004-03-31T10:11:08","guid":{"rendered":"https:\/\/viodi.com\/classic\/2004\/03\/31\/article1-16\/"},"modified":"2023-08-13T18:27:19","modified_gmt":"2023-08-13T18:27:19","slug":"article1-16","status":"publish","type":"post","link":"https:\/\/viodi.com\/classic\/2004\/03\/31\/article1-16\/","title":{"rendered":"Digital Hollywood \u2013 Too Much Good Content \u2013 Part 1:"},"content":{"rendered":"\n<\/p>\n<p align=\"center\"><a href=\"javascript:\"><img decoding=\"async\" src=\"http:\/\/www.viodi.com\/local\/images\/conferencelogo.gif\" border=\"0\" onclick=\"MM_openBrWindow('http:\/\/www.viodi.com\/local\/','','')\"\/><\/a><br \/>           <a href=\"javascript:\" onclick=\"MM_openBrWindow('http:\/\/www.viodi.com\/local\/','','')\">Indie            Telco Local Content Workshop advertisement<\/a><\/p>\n<p>                                                                                                 Quick                    Jump Menu to this Issue&#8217;s Articles                   March                    31st, 2004 Overview                   Digital Hollywood &#8211; Too Much Good Content &#8211; Part 1:                   Importance of Content Protection             <em><strong>MTA and &#8216;the Wonderful World of Color&#8217;<\/strong><\/em>                                                                          <\/p>\n<p class=\"MsoNormal\" align=\"center\"><b><b><a name=\"conf\"\/>Digital            Hollywood \u2013 Too Much Good Content \u2013 Part 1:<\/b><\/b><\/p>\n<p class=\"MsoNormal\" align=\"center\">by Ken Pyle (ken.pyle@viodi.com),            <a href=\"http:\/\/www.viodi.com\/alliance\/\">Viodi, LLC<\/a><\/p>\n<p>       \u00a0        <\/p>\n<p align=\"center\" onclick=\"MM_openBrWindow('http:\/\/www.viodi.com\/alliance\/','','toolbar=yes,location=yes,status=yes,menubar=yes,scrollbars=yes,resizable=yes')\"><a href=\"javascript:\"><img decoding=\"async\" src=\"http:\/\/www.viodi.com\/images\/smalllogo.jpg\" border=\"0\" onclick=\"MM_openBrWindow('http:\/\/www.viodi.com\/alliance\/','','toolbar=yes,location=yes,status=yes,menubar=yes,scrollbars=yes,resizable=yes')\"\/><\/a><br \/>           <a href=\"javascript:\">About Viodi, LLC<\/a>          <\/p>\n<p align=\"center\"><strong>March 31st, 2004 Issue<\/strong><\/p>\n<p align=\"center\"><a href=\"http:\/\/www.viodi.com\/newsletter\/signUp.htm\">Subscribe            to Viodi View<\/a><\/p>\n<p align=\"center\"><a href=\"http:\/\/www.viodi.com\/newsletter\/040301\/overview.htm\">Last            Issue<\/a><\/p>\n<p align=\"center\"><a href=\"article2.htm\">Next Article<\/a><\/p>\n<p>         \u00a0                   <\/p>\n<p class=\"MsoBodyText\" onclick=\"MM_openBrWindow('http:\/\/www.ustelecom03.com','','')\">As            usual, Digital Hollywood overwhelms with the amount of <strong>good            content<\/strong>. What I like about this show is that multiple viewpoints            are mixed together and, as a result, the panels are excellent. It provides            an excellent networking forum as well, as the parties are jam-packed            with the hundreds of attendees. The <strong>take-away<\/strong> from            the first day of the conference is that the <strong>business model<\/strong>            for how television is supported <strong>is going to significantly change<\/strong>            over the next few years. <\/p>\n<p>The role of the <strong>Digital Video Recorder [DVR] and VOD <\/strong>was            discussed in the panel, <em> <strong>Transforming Television: From Reality            TV, HDTV and Interactive TV, to PVR TV and VOD TV<\/strong><\/em>. <strong>David            Ernst of Initiative Media<\/strong> [he spoke at Viodi\u2019s Fall,            2003 conference] pointed out that television technology innovations            have mostly been about consumers trying to avoid advertising. I believe            he was the one that <strong>characterized the remote control as the            first \u201cTIVO\u201d<\/strong>. Initiative\u2019s research indicates            that<strong> DVR owners skip about 50% of all ads. <\/strong><\/p>\n<p>According to him, consumers are less likely to skip ads if the content            has just been recorded; something like 25% of DVR consumers skip ads            within 15 minutes of program being recorded. If the programming is called            from an archive, 75% of the DVR consumers will skip the ads. The point            is that <strong>DVRs<\/strong> are, in the words of Ernst,<strong> \u201ca            threat to business as usual.\u201d <\/strong>That is, the traditional            30 second advertising spot in jeopardy in the long-term. <\/p>\n<p>There is still a small base of DVRs, however, but <strong>Larry Namer<\/strong>            from <strong>Reality Central <\/strong>and <strong>Frederick Bien <\/strong>of            <strong>Turner Broadcasting <\/strong>concurred that content owners and            distributors need to start experimenting now with various business models,            so that they will be ready when these devices are truly in the mainstream.            As an example, Bien showed a <strong>telescoping long-form advertisement<\/strong>            that started as a 30 second spot, but could be extended into a five            minute long-form advertisement by the customer. In this example, the            content was marked, such that the view could resume the \u201clive\u201d            programming they had been watching at the end of the commercial. <\/p>\n<p>One of the big <strong>challenges<\/strong> that Bien and the other            panelists pointed to is the <strong>role of standards, <\/strong>so that            an ad could be created for one platform (e.g. TIVO) and operate seamlessly            on another platform (e.g. Scientific Atlanta). The panelists also concurred            that there will be many different devices within the home capable of            communicating and displaying entertainment content. Ernst went on to            say that he expected that virtually every [home] appliance will have            some sort of video monitoring. <\/p>\n<p>And these appliances will be everywhere and in all sorts of configurations.            For instance, Bien pointed to <strong>Verizon Wireless\u2019 video            demonstration<\/strong> at last week\u2019s CTIA show as evidence that            cell phone video is becoming real. The upshot of these appliances is            that the consumer will have control over when and where they watch content.            The <strong>disruption<\/strong> caused by the technology innovations            will shake-up the traditional networks, while presenting opportunities            for upstarts like Namer\u2019s Reality Central, which are able to build            new business models from scratch. <\/p>\n<p>There will be <strong>continued \u201chybridization of the Internet            with the TV\u201d.<\/strong> Additionally, storage within the network            and at the consumer, coupled with the drop in the cost of producing            content will allow for much greater specialty programming. It was suggested            that, as has been at other conferences, the industry is moving towards            a \u201cmagazine\u201d model where there will be many channels devoted            to niche audiences. <\/p>\n<p>So, why does all of this matter for an <strong>independent telco? <\/strong>Clearly,            the business models will be shifting in the next few years and it is            sure to have a <strong>big impact <\/strong>on any telco that is distributing            video. Times of disruption are also <strong>times of opportunity.<\/strong>            I believe there are many ways that a telco will be able to positively            participate in this content and programming revolution that these panelists            discussed. But more about that in future issues. <\/p>\n<p><a href=\"article2.htm\">Next Article <\/a><\/p>\n<p class=\"MsoBodyText\"><a href=\"#top\">Back to Top<\/a><\/p>\n<p class=\"MsoBodyText\"><a href=\"overview.htm\">Back to Main Page <\/a><\/p>\n<p class=\"MsoBodyText\">All displayed trademarks, logos            and service marks are the property of their respective owners. \u00a9            2004, <a href=\"javascript:\" onclick=\"MM_openBrWindow('http:\/\/www.viodi.com\/alliance','','')\">Viodi,            LLC<\/a>. All Rights Reserved<\/p>\n<p>       \u00a0                  \u00a0        <\/p>\n<p align=\"center\"><a href=\"javascript:\" onclick=\"MM_openBrWindow('http:\/\/www.viodi.com\/local','','')\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/viodi.com\/classic\/wp-content\/uploads\/2004\/03\/local-4.jpg\" width=\"144\" height=\"500\" border=\"0\"\/><\/a><\/p>\n<p>            \u00a0       \u00a0                  \u00a0       \u00a0       \u00a0     <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Indie Telco Local Content Workshop advertisement Quick Jump Menu to this Issue&#8217;s Articles March 31st, 2004 Overview Digital Hollywood &#8211; Too Much Good Content &#8211; Part 1: Importance of Content Protection MTA and &#8216;the Wonderful World of Color&#8217; Digital Hollywood \u2013 Too Much Good Content \u2013 Part 1: by Ken Pyle (ken.pyle@viodi.com), Viodi, LLC \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-159","post","type-post","status-publish","format-standard","hentry","category-newsletter"],"_links":{"self":[{"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/posts\/159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/comments?post=159"}],"version-history":[{"count":1,"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/posts\/159\/revisions"}],"predecessor-version":[{"id":580,"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/posts\/159\/revisions\/580"}],"wp:attachment":[{"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/media?parent=159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/categories?post=159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/viodi.com\/classic\/wp-json\/wp\/v2\/tags?post=159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}